染 · SINK
“You can’t command it or compel it to look, be—stay—the way you want. It is alive and to be alive, your idea of it must expire.”— Peter Do, SS25 Collection
*染: dye
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“Dye doesn’t cover—it seeps.”
Because beauty in this world isn’t painted on. It sinks, stains, and leaves a trace that can’t be removed.
Nature imbues the fabric with color. Unpredictable movement of water, a silent, uncontrollable seep. A living dye, a garment alive.
染
“The moment color meets skin.”
When water, light, and time imprint something permanent on something soft.
染
“Color seeps in silence.”
“WEIGHT · FRICTION”
“Weight. Friction. Zero admissions of manual labor.”
“Violent but with all this plausible deniability.”— Peter Do, SS25 Collection Text
“A study in pleats — not for decoration, but as structure, memory, and labor.”
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“The fabric obeys, but never forgets.”
It bears the trace of labor — of touch, of friction, of weight.
“The crease remembers.”
“TEXTILE HAND”
“You have hand — textile hand — the communion of nerves, skin, materiality, exertion, place.”— Peter Do, SS25 Collection Text
“This is where it begins — before the polish, before the form.”
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“Clarity lives in the unfinished.”
“Built on what's broken, worn, and waiting.”
“Alive, because it is unfinished. Present, because it isn’t planned.”
“What remains”
“There will be death and grief and nostalgia. There will have been life.” — Peter Do, SS25 Collection Text
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"What remains is not just a trace, but a testament — of touch, of effort, of time."
Effort leaves behind memory.
Craft holds time.
To be grounded is not to stay still — it is to grow in place.
The mark of PETER DO remains.